Within the depth-psychology corpus, 'curve' operates on at least three distinct registers that intersect without collapsing into one another. In McGilchrist's neuropsychological phenomenology, curvature is explicitly valorised as the signature of right-hemisphere cognition: the flowing, non-linear arc that reconciles opposites and admits indirection is contrasted against the straight line, emblem of left-hemisphere sequential processing and its attendant march toward the abyss. This is not mere aesthetics but an ontological claim — that the curved form discloses a living world more faithfully than the rectilinear. In Jung's early experimental work, 'curve' appears as a technical instrument of psychophysical research: the galvanometer and pneumograph curves serve as indices of unconscious complexes, charting the body's involuntary testimony to buried affect. Here the curve is epistemic — a trace that consciousness cannot falsify. A third, clinical register emerges in Ogden's sensorimotor psychotherapy, where the arousal curve maps the patient's trajectory through the window of tolerance, providing a navigational metaphor for somatic regulation. Ulanov introduces the mathematical curve — the bifurcating parabola of chaotic dynamics — as a model for psychological complexity. Schore employs behavioral curves to contrast attuned and misattuned dyadic transactions. The term thus traverses aesthetics, neuropsychology, psychophysiology, somatic therapy, and developmental theory, carrying in each domain a common deeper suggestion: that living process is non-linear, and that fidelity to its actual shape is both epistemological virtue and therapeutic necessity.
In the library
15 passages
Curvature, as I have suggested, is more characteristic of the intellectual world of the right hemisphere, in which opposites can be reconciled, in which the direct approach may for many purposes be inferior to the indirec
McGilchrist advances curvature as the defining formal quality of right-hemisphere cognition, contrasting it with rectilinear motion as the signature of left-hemisphere linearity and literalism.
McGilchrist, Iain, The Matter With Things: Our Brains, Our Delusions and the Unmaking of the World, 2021thesis
Curvature, as I have suggested, is more characteristic of the intellectual world of the right hemisphere, in which opposites can be reconciled, in which the direct approach may for many purposes be inferior to the indirec
Parallel passage confirming McGilchrist's sustained thesis that curvature encodes a mode of knowing irreducible to, and superior in certain domains to, linear analytical approaches.
McGilchrist, Iain, The Matter with Things: Our Brains, Our Delusions, and the Unmaking of the World, 2021thesis
the emotions of the unconscious, roused up by questions or words that strike into the buried complexes of the soul, reveal themselves in the galvanometer curve, while the pneumographic curve is comparatively unaffected.
Woodman, citing Jung, establishes the galvanometer curve as the involuntary somatic register of unconscious complexes, contrasting it with respiratory curves that remain amenable to conscious control.
Woodman, Marion, The Owl Was a Baker's Daughter: Obesity, Anorexia Nervosa and the Repressed Feminine: a Psychological Study, 1980thesis
The very circularity of things as they really are, rather than as the left hemisphere conceives them, might be a reason for hope. Linear progression versus circular
McGilchrist argues that the curved, circular shape of actual reality resists the left hemisphere's linear model of progress, offering this ontological curvature as grounds for hope against reductive thinking.
McGilchrist, Iain, The Master and His Emissary: The Divided Brain and the Making of the Western World, 2009thesis
the emotions of the unconscious, roused up by questions or words that strike into the buried complexes of the soul, reveal themselves in the galvanometer curve, while the pneumographic curve is comparatively unaffected. Respiration is an instrument of consciousness. You can control it voluntarily while you cannot control the galvanometer curve.
Jung distinguishes the galvanometer curve as an uncontrollable index of unconscious affect from the respiratory curve, which consciousness can regulate, establishing the curve as a site of involuntary psychic disclosure.
Jung, C. G., Experimental Researches, 1904supporting
MOVING UP THE CURVE MOVING DOWN THE CURVE AROUSAL CYCLE 2MOVING UP THE CURVE MOVING DOWN THE CURVE AROUSAL CYCLE 3MOVING UP THE CURVE MOVING DOWN THE CURVE
Ogden employs the arousal curve as a clinical navigational schema in sensorimotor psychotherapy, charting the patient's movement through cycles of sympathetic activation and return to the window of tolerance.
Ogden, Pat, Sensorimotor Psychotherapy Interventions for Trauma and, 2015supporting
The differences between attuned (normal) and misattuned (high-risk) dyadic transactions is depicted in Fig. 6.5.! Fig. 6.5 A schematic representation of differences between the behavioral curves of normal (attuned) and high-risk (misattuned) infant-mot
Schore deploys behavioral curves to render visible the distinction between attuned and misattuned mother-infant transactions, making the curve a developmental-affective diagnostic instrument.
Schore, Allan N., Affect Regulation and the Origin of the Self: The Neurobiology of Emotional Development, 1994supporting
Viewed geometrically, graphing the equation at this point generates a curve that splits into two curves, like a parabola lying on its side with the apex at the bifurcation point.
Ulanov applies chaotic-systems mathematics to psychological dynamics, using the bifurcating parabolic curve as a model for the period-doubling cascades that emerge from mutual inhibition equations.
Ulanov, Ann Belford, The Feminine in Jungian Psychology and in Christian Theology, 1971supporting
The latency time and the time required for the curve to reach its maximum height bear no constant relation to the height of the galvanic curve.
Jung notes that the temporal parameters of the galvanometric curve do not predict its amplitude, complicating any simple causal account of affective arousal and its physiological trace.
Jung, C. G., Experimental Researches, 1904supporting
Such a curve was clearly shown in the case of a well-educated physician, with a considerable power of self-analysis, who could not remember any affective thought that had occurred to him during the period.
Jung presents a galvanometric curve as evidence of unconscious emotional activity occurring entirely below the threshold of conscious recall, even in a subject possessing high self-analytic capacity.
Jung, C. G., Experimental Researches, 1904supporting
normal respiratory curve inconstant, subject to variations due to age, temperament, perseveration of affect, reactions from the affect, embarrassment from the experiment, undue interest in the procedure, etc.
Jung's collaborators identify the respiratory curve as a psychophysiologically unstable measure, its variability reflecting the complex interplay of temperament, perseverating affect, and situational factors.
Jung, C. G., Experimental Researches, 1904supporting
We observe here one of the numerous instances where the pneumographic curve and the reaction-time show evident disturbances, while the galvanic curve is unaffected.
Jung demonstrates a dissociation between the pneumographic and galvanometric curves, arguing that each registers a distinct dimension of psychic processing — the one intellectual perseveration, the other acute affect.
Jung, C. G., Experimental Researches, 1904supporting
Fig. 54 Variations on the serpentine curve, by William Hogarth, 1753
McGilchrist's figure list references Hogarth's serpentine curve as a visual illustration of the aesthetic principle of graceful curvature, situating it within a broader iconographic argument about living form.
McGilchrist, Iain, The Matter with Things: Our Brains, Our Delusions, and the Unmaking of the World, 2021aside
Fig. 54 Variations on the serpentine curve, by William Hogarth, 1753
Parallel figure-list reference to the Hogarthian serpentine curve, underscoring the aesthetic-historical grounding of McGilchrist's neuropsychological argument about curvature.
McGilchrist, Iain, The Matter With Things: Our Brains, Our Delusions and the Unmaking of the World, 2021aside
I have arranged the means thus obtained in curves below.
Jung organises reaction-time data into plotted curves as a methodological convenience, using the curve here as a representational rather than theoretical device.