The term 'Cup' occupies a remarkably multivalent position in the depth-psychology corpus, functioning simultaneously as a vessel of fate, a symbol of receptivity, and a ritualized container of transformation. The Gethsemane cup — 'let this cup pass from me' — recurs across Edinger, John of Damascus, and related Christological commentary as the paradigmatic figure of ego-confrontation with destiny: the dread of what must be consciously drunk rather than evaded. Woodman reads the cup in its Grail aspect as the female inheritance of nourishment and love, denied and then restored through the archetypal feminine; her analysis connects the cup explicitly to Venus, to copper, and to the capacity for genuine receiving. Jung and his Aion commentary locate the cup within Gnostic cosmology as the divination vessel of a cosmic Logos — 'the cup from which the king, drinking, draws his omens' — binding the symbol to hermaphroditic quaternities and the mystery of consciousness. Jodorowsky's Tarot analysis treats the Ace of Cups as totality-in-potential, the whole emotional life of the soul gathered in a single archetypal image. Classical sources (Plato's Phaedo, Homer, Onians) provide the pharmakological and sacrificial grounds: the cup of hemlock, cups overturned by divine sleep, the Roman equation of wine-cups with years of life. Etymological and Tibetan material extends the range toward skull-cups, drinking bowls, and the hollow vessel as such. What unites these positions is the cup as a bounded hollow — a form that receives, transmits, and transforms whatever is poured into or demanded of the self.
In the library
12 passages
O MY FATHER, IF IT BE POSSIBLE, LET THIS CUP PASS FROM ME: NEVERTHELESS NOT AS I WILL, BUT AS THOU WILT.
Edinger centres the Gethsemane cup as the archetypal image of the ego's resistance to, and ultimate submission before, the demand of the Self.
Edinger, Edward F., The Christian Archetype: A Jungian Commentary on the Life of Christ, 1987thesis
the cup is wrought of solid copper, metal of Venus, goddess of love. Her female heritage, which her own mother had not been able to give her because she herself could not receive it, is restored in the dream through the archetypal image of the cup as in the Grail legend from which she drinks.
Woodman reads the cup as the Venusian vessel of female inheritance and Grail-nourishment, psychologically restored through dreamwork when the personal mother failed to transmit it.
Woodman, Marion, Addiction to Perfection: The Still Unravished Bride: A Psychological Study, 1982thesis
signifying by His spontaneous prayer for the cup's removal His fellowship with human anxiety, yet associating Himself with the decree of the Will which He shares inseparably with the Father.
John of Damascus interprets the cup's requested removal as Christ's genuine participation in human dread while remaining aligned with the divine will — a theological reading of conscious sacrifice.
John of Damascus, Saint John of Damascus Collection, 2016thesis
THE ACE OF CUPS Symbol of Love in Potential The Cup series in the Tarot represents the entire process of emotional life. The Ace (1) represents the Totality in potential.
Jodorowsky establishes the Cup suit as the comprehensive symbol of emotional life in potential, with the Ace expressing undifferentiated totality awaiting incarnation.
Jodorowsky, Alejandro, The Way of Tarot: The Spiritual Teacher in the Cards, 2004thesis
let the cup be brought, if the poison is prepared: if not, let the attendant prepare some.
Socrates' calm acceptance of the hemlock cup provides the philosophical archetype of consciously chosen death — the cup as instrument of voluntary self-offering.
they pray for as many years as they take ladles full and they drink up to that number… a woman who has been made a Sibyl by her cups.
Onians documents the ancient Roman equation of cups of wine with units of life-force, grounding the cup symbol in archaic beliefs about vital fluid and longevity.
Onians, R B, The origins of European thought about the body, the mind,, 1988supporting
the first above on the right holds a mirror of karma and a skull-cup of blood, the second a battle-axe and a skull-cup of blood.
The Tibetan skull-cup in the Court of Judgement extends the cup symbol into Vajrayana iconography, where it holds blood as a substance of karmic reckoning.
Evans-Wentz, W. Y., The Tibetan Book of the Dead (Evans-Wentz Edition), 1927supporting
Beekes' etymological note on the Pre-Greek form for 'cup' and 'bowl' links the vessel to the semantic field of hollow concavity shared with 'boat,' suggesting a common substrate concept.
Beekes, Robert, Etymological Dictionary of Greek, 2010aside