Crocodile

The Seba library treats Crocodile in 8 passages, across 5 authors (including Jung, C.G., Neumann, Erich, Jung, Carl Gustav).

In the library

Usually the crocodile symbolizes the voracious quality of the unconscious, the danger from below which suddenly comes up and pulls people down.

Jung establishes the crocodile's primary psychological valence as an emblem of the unconscious's devouring, suddenly eruptive danger, while simultaneously acknowledging its protective 'doctor animal' function among African peoples.

Jung, C.G., Dream Analysis: Notes of the Seminar Given in 1928-1930, 1984thesis

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In the place of his origin he meets the ancestral animal, the divine crocodile.

Jung interprets the crocodile as the totem ancestor encountered at the psychic origin-point, connecting it to the sacred saurian of Egyptian crocodile cults and to the general archetypal function of the primordial totem animal.

Jung, C.G., Dream Analysis: Notes of the Seminar Given in 1928-1930, 1984thesis

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Her forepart a crocodile, her hindpart a hippopotamus, and her middle a lion.

Neumann situates the crocodile as the anterior, devouring element of the Egyptian composite monster Amam, identifying it as a morphological expression of the Terrible Mother's death-and-annihilation function at the Judgment of the Dead.

Neumann, Erich, The Origins and History of Consciousness (Princeton, 2019thesis

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A man whose brother is a crocodile, for instance, is supposed to be safe when swimming a crocodile-infested river.

Jung illustrates mystical participation through the bush-soul bond between a man and a crocodile, demonstrating how primordial psychic identity with the animal confers protection and signals the undifferentiated state of archaic consciousness.

Jung, Carl Gustav, Man and His Symbols, 1964supporting

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When such a monstrous animal appears in a dream, we know that something is coming up from the unconscious which is not to be influenced by will-power. It is like a fate that cannot be twisted.

Jung links the appearance of primordial saurian figures in dreams to an autonomous, fate-like irruption from the unconscious that heralds a new epoch in the dreamer's life.

Jung, C.G., Dream Analysis: Notes of the Seminar Given in 1928-1930, 1984supporting

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Aries, Astur, chicken, swan, lion, beetle, crocodile; yellow-skinned people; people who are curly-haired, bald, and magnanimous.

Moore, following Ficino, places the crocodile within the solar category of natural objects, positioning it as a creature whose correspondence with solar spirit enables imaginative participation in that spirit through sympathetic magic.

Moore, Thomas, The Planets Within: The Astrological Psychology of Marsilio Ficino, 1990supporting

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Aries, Astur, chicken, swan, lion, beetle, crocodile; yellow-skinned people; people who are curly-haired, bald, and magnanimous.

An earlier edition of Moore's Ficino study presenting the same solar classification of the crocodile, confirming the consistency of this Neoplatonic imaginative framework across editions.

Moore, Thomas, The Planets Within: The Astrological Psychology of Marsilio Ficino, 1982supporting

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posing the deceptively easy riddle of the Sphinx or grimly demanding answer to a 'quaestio crocodilina'.

Jung, writing in Radin's volume, invokes the classical logical paradox known as the 'crocodile dilemma' as a metaphor for the deceptively simple yet irresolvable challenge posed by the shadow at the threshold of individuation.

Radin, Paul, The Trickster: A Study in American Indian Mythology, 1956aside

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