The depth-psychology corpus engages ‘Competitive Excellence’ along two distinct but intersecting axes: the archaic Greek valorisation of *aretē* as agonistic supremacy, and the modern psychological interrogation of what drives, sustains, or pathologises the pursuit of surpassing performance. In the Homeric and lyric traditions examined by Adkins, Sullivan, Cairns, and Nagy, competitive excellence is the foundational social good — constituted by visible results rather than intentions, ratified through public contest, and inseparable from honour (*timē*) and shame (*aidōs*). Adkins’s landmark distinction between ‘competitive excellences’ and ‘co-operative excellences’ exposes the structural tension: Homeric society privileges the former because collective survival depends on martial and strategic superiority, whereas quieter virtues remain subordinate until Platonic and Aristotelian reform begins to revalue them. Sullivan traces this evolution through Pindar, who insists that inborn capacity must be trained and divinely favoured to become genuine *aretē*. Ricoeur brings the concept into MacIntyre’s framework of ‘standards of excellence’ as socially constituted and cooperatively maintained benchmarks. Lench’s emotion-science perspective offers a complementary analysis: excellence triggers pride, admiration, and moral elevation — emotions that serve both agentic (getting ahead) and communal (getting along) functions. Horney’s critical voice sounds a cautionary note, diagnosing compulsive competitive drives as neurotic phantoms of glory that leave inner distress untouched. Hillman’s archetypal lens frames competitive notions of inspired action as culturally distorting forces that eclipse the societal and soul-serving dimension of excellence.