The claw appears in the depth-psychology corpus as a condensed symbol operating across several registers simultaneously: predatory grasping, instinctual aggression, possessive seizure, and the archaic entrapment of the psyche. Panksepp’s affective neuroscience appropriates Tennyson’s phrase ‘nature red in tooth and claw’ as chapter heading for his neurobiological investigation of rage, anchoring the image firmly in the evolutionary substrate of mammalian anger. McGilchrist employs the split-brain experiment involving a ‘chicken claw’ as an empirical vignette about hemispheric confabulation, revealing how the left hemisphere fabricates narrative coherence around a claw it has seen but cannot contextualize. The I Ching commentary in Ritsema and Karcher identifies the bird’s claw enclosing young animals as the ideographic basis for ‘sincere capture’—possession in its archaic, spirit-connected sense. These three vectors—neurobiological, neuropsychological, and symbolic—converge on a common depth-psychological concern: the claw as the figure of compulsive, possessive force that grasps before conscious deliberation can intervene. What remains underexplored in the corpus is a fully Jungian amplification of the claw as autonomous complex; Hillman, Estés, and Moore orbit related animal imagery without taking the claw as explicit focus. The term therefore sits at the intersection of instinct theory, split-consciousness studies, and archaic ideogrammatic symbolism.