Cista

The Seba library treats Cista in 6 passages, across 4 authors (including Harrison, Jane Ellen, Jung, Carl Gustav, Kerényi, Carl).

In the library

the sacred cista, its lid half-opened, a snake emerging... The cista of the coin and the cista of Erichthonios are one and the same; the myth arose from a rite.

Harrison argues that the cistophoric coins of Ephesus prove that the Dionysiac cista with its emerging snake is structurally identical to the Erichthonios myth, establishing the principle that myth derives from ritual practice.

Harrison, Jane Ellen, Themis: A Study of the Social Origins of Greek Religion, 1912thesis

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I have taken from the cista, and after working with it I have laid it back in the basket and from the basket into the cista.

Jung cites Clement's neophyte synthema to establish that the ritual handling of the cista's contents constitutes a phallic initiatory act central to the Eleusinian mysteries.

Jung, Carl Gustav, Symbols of Transformation, 1952thesis

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Athena hid her brother's heart in a basket, and this basket — a true cista mystica — was carried about with Dionysian utensils. What was carried about — whether in a cista mystica or in a liknon — could not, however, be kept entirely secret. It was not a heart but a phallus.

Kerényi distinguishes the literary Orphic version (heart hidden in the cista mystica) from the actual Dionysiac ritual content (phallus), insisting the vessel's concealment harbors generative rather than merely funerary significance.

Kerényi, Carl, Dionysos: Archetypal Image of Indestructible Life, 1976thesis

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A naked figure in attendance at the entrance, bearing on his head a sacred chest (cista mystica), and with an ear of grain in hand... offers the contents of the

Campbell identifies the cista mystica as a prominent initiatory prop borne by an attendant at the threshold of mystery experience, linking it to grain symbolism and the sequence of initiatory stations.

Campbell, Joseph, Creative Mythology: The Masks of God, Volume IV, 1968supporting

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Cista and serpent / Silver coin, Ephesus, 57 B.C. British Museum.

Jung includes the cistophoric coin of Ephesus as iconographic evidence in his visual apparatus, placing cista-and-serpent among the primary symbols treated in Symbols of Transformation.

Jung, Carl Gustav, Symbols of Transformation, 1952supporting

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Cista mystica, 287, 296

Campbell's index entry confirms the cista mystica as a recurrent term indexed independently in The Mythic Image, indicating its structural role within his comparative mythology of initiation.

Campbell, Joseph, The Mythic Image, 1974supporting

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