Within the depth-psychology corpus, ‘Christian Myth’ functions not as a confessional category but as a living symbolic system whose psychological vitality—and, in the modern period, its crisis—commands sustained analytical attention. Jung approaches it as the West’s dominant carrier of the God-image, a mythos encoding the encounter between the ego and the Self through the figures of Christ, Satan, the Trinity, and the drama of incarnation, crucifixion, and resurrection. His ‘Answer to Job’ and ‘Psychology and Religion’ trace the inner tensions of that mythos: Christ as a one-sided symbol of the light, requiring the shadow of Satan to complete the divine paradox. Edinger systematically extends this reading, treating the Christian myth as the archetype of individuation made collective, while insisting that its modern devitalization demands a ‘new Jungian’ retelling rather than abandonment. Von Franz and Giegerich press further: von Franz identifies the Christian myth as structurally deficient—insufficient in the feminine, in matter, and in the problem of evil—and proposes alchemy as its richer completion; Giegerich reads Jungian psychology itself as charged with the task of ‘dreaming the Christian myth onwards,’ becoming the secular successor to its soteriological function. Campbell, approaching from comparative mythology, reads Christian narrative as mythos misconstrued as history, insisting that demythologization strips it of its essential symbolic power. The resulting field is one of productive tension between psychological rehabilitation, structural critique, and the search for a successor myth adequate to modernity.