The Seba library treats Chapel in 7 passages, across 7 authors (including Jung, C.G., Sacks, Oliver, James, William).
In the library
7 passages
there was a small chapel, with its door standing a little ajar. He thought he would like to enter, and so he pushed the door open and went in, and there upon an altar decorated with pretty flowers stood a wooden figure of the Mother of God.
Jung presents the chapel as the spontaneous destination of active imagination, a temenos sheltering the Mother archetype and a trickster shadow-figure, making it the symbolic climax of an individuation exercise.
Jung, C.G., Collected Works Volume 18: The Symbolic Life, 1976thesis
Watch Jimmie in chapel, and judge for yourself. I did, and I was moved, profoundly moved and impressed, because I saw here an intensity and steadiness of attention and concentration that I had never seen before in him.
Sacks uses the chapel to argue that ritual participation activates a level of psychic wholeness that transcends the amnesiac's otherwise catastrophic failure of memory and selfhood.
Sacks, Oliver, The Man Who Mistook His Wife for a Hat, 1985thesis
I felt it impossible to accompany them—as though to leave the sunshine on the hills, and go down there to the chapel, would be for the time an act of spiritual suicide.
James documents the chapel as a potentially stifling institutional container whose avoidance catalyzes a spontaneous mystical state, thereby contrasting manufactured religious space with living spiritual experience.
James, William, The Varieties of Religious Experience Amazon, 1902thesis
The sacrificer would bring the animal—a goat or a sheep—into the chapel, leading it three times around... opposite the conventional altar in the chapel of the saint would be a sacrificial altarstone.
Burkert demonstrates that the chapel persists as a site of archaic sacrificial ritual beneath Christian veneer, revealing its function as a container for the most primal expressions of the sacred.
Burkert, Walter, Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, 1972supporting
From behind his lectern at an East Hastings funeral chapel, the elderly priest proclaims the world's farewell to Sharon. Behind the family the mourners are dispersed through the sparsely filled chapel.
Maté invokes the funeral chapel as a liminal container for communal grief and social witness at the margins of society, foregrounding the chapel's role in marking irreversible psychic and social transitions.
Maté, Gabor, In the Realm of Hungry Ghosts: Close Encounters With Addiction, 2008supporting
Charles Darwin timed his daily walks near gardens to listen to the music in King's College Chapel in Cambridge. The local flora and fauna and music fed his thinking as he wandered and wondered about evolution.
Keltner cites King's College Chapel as an awe-inducing acoustic environment whose effect on Darwin illustrates the chapel's capacity to stimulate wonder and expansive cognition.
Keltner, Dacher, Awe The New Science of Everyday Wonder and How It Can, 2023supporting
This peculiarity may be explained by the holy awe of the most solemn and moving part of the Mass, namely the Consecration.
Jung alludes to the sacred atmosphere of liturgical space and its capacity to induce holy awe, contextualizing the alchemist's psychological conflict with the ritual temenos of the Mass.
Jung, Carl Gustav, Psychology and Alchemy, 1944aside