Moses's anger waxed hot; and he, when he saw the people dancing before the Golden Bull-Calf smashed the very tablets of the Law… This image had remembrances in it not only of Apis and Egypt and Ishtar and Babylonia but of all the many gods and statues and images of all the other Mediterranean and Asian and African bulls and oxen and cows and steers and calves of all the surrounding heathen, pagan, polytheistic, animistic, iconophilic peoples
Hillman argues that the Golden Calf concentrates the entire suppressed theriomorphic sacred of the ancient world, making its destruction by Moses the founding act of Biblical iconoclasm against animal-religion.
, Animal Presences, 2008thesis