The Seba library treats Boa Constrictor in 7 passages, across 3 authors (including von Franz, Marie-Louise, Eliade, Mircea, Grof, Stanislav).
In the library
7 passages
Last time, we spoke of the boa constrictor which ate up the elephant, and of ho
Von Franz explicitly names the boa constrictor image as the focal symbol for her ongoing analysis of the puer aeternus, marking it as the central interpretive image of the preceding lecture and the pivot into new material.
von Franz, Marie-Louise, The Problem of the Puer Aeternus, 1970thesis
Last time, we spoke of the boa constrictor which ate up the elephant, and of how Saint Exupery switches at this crucial moment.
The parallel passage in von Franz's study confirms the boa constrictor devouring the elephant as the governing symbol under analysis, directly linked to Saint-Exupéry's characteristic evasion of difficulty.
von Franz, Marie-Louise, Puer Aeternus: A Psychological Study of the Adult Struggle with the Paradise of Childhood, 1970thesis
Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and golf and politics, and neckties.
Saint-Exupéry's narrator uses the boa constrictor as the touchstone for genuine imaginative understanding: those who cannot perceive it are excluded from the deeper register of communication and confined to social superficialities.
von Franz, Marie-Louise, The Problem of the Puer Aeternus, 1970thesis
Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level.
The boa constrictor functions as the criterion of symbolic perception: inability to recognize it marks the threshold between genuine understanding and collective, literalistic adaptation.
von Franz, Marie-Louise, Puer Aeternus: A Psychological Study of the Adult Struggle with the Paradise of Childhood, 1970thesis
Eliade's index registers the boa constrictor as a shamanically significant animal appearing in the context of spirit-costume symbolism, situating it within the archaic repertoire of transformative creature-powers.
Eliade, Mircea, Shamanism: Archaic Techniques of Ecstasy, 1951supporting
They showed how the snake, a classical Freudian phallic symbol, took on different meanings dependi
Grof's account of snake symbolism shifting across therapeutic stages provides comparative context for the range of meanings large serpents can carry in the depth-psychology literature, though the boa constrictor is not named explicitly.
Grof, Stanislav, LSD Psychotherapy: The Healing Potential of Psychedelic Medicine, 1980aside
They showed how the snake, a classical Freudian phallic symbol, took on different meanings depe
The parallel Grof passage similarly contextualizes serpent symbolism as mutable across psychic levels, providing background for how constrictive snake imagery can function beyond its Freudian phallic assignment.
Grof, Stanislav, LSD Psychotherapy: Exploring the Frontiers of the Hidden Mind, 1980aside