a little boy is sent to live with a horrible, abusive bishop who is emotionally remote and cold and deeply identified with a religious persona. In one scene of the film, the bishop is shown dreaming. In the dream, he is struggling to tear off a mask, which he cannot detach, and he ends up pulling his face off along with the mask.
Stein uses Bergman’s bishop as the Jungian archetype of total persona-identification, where the ego has so merged with its social role that the self beneath is irrecoverable.
, Jung’s Map of the Soul: An Introduction, 1998thesis