The Seba library treats Avatar in 9 passages, across 6 authors (including Tozzi, Chiara, Zimmer, Heinrich, Jung, Carl Gustav).
In the library
9 passages
The term avatar, in modern computer language, indicates the image chosen from users to represent themselves in a virtual community. The word derives from the Sanskrit avatāra, lit. descended, passed through.
Tozzi explicitly theorizes 'avatar' as a therapeutic concept bridging its Sanskrit origins and digital usage, applying it to images that emerge in active imagination as incarnations of collective-unconscious identities.
Tozzi, Chiara, Active Imagination in Theory, Practice and Training, 2017thesis
Vishnu is ever willing to send a minute particle of his essence down into the world... and thus he has repeatedly re-established the orderly course of the Day... by descending into the universe in one or another of his avatārs, curbing and subduing the terrible forces that threaten general ruin.
Zimmer establishes the avatar as Vishnu's incarnational strategy for mediating between destructive and constructive cosmic forces, providing the mythological substrate that depth psychology inherits.
Zimmer, Heinrich, Myths and Symbols in Indian Art and Civilization, 1946thesis
The Dashavatara (from the Sanskrit daśāvatāra), in Hinduism, represents the ten (daśa) main incarnations (avatāra) of Vishnu, the times when he descended to Earth to restore the cosmic order.
Tozzi surveys the canonical ten avatars of Vishnu as mythological background for the clinical appropriation of the avatar concept in Jungian therapeutic work with images.
Tozzi, Chiara, Active Imagination in Theory, Practice and Training, 2017thesis
today the Buddha himself is enthroned in the Hindu pantheon as the avatar of Vishnu, along with Christ, Matsya (the fish), Kurma (the tortoise), Vamana (the dwarf), and a host of others.
Jung cites the Buddhist absorption into Hinduism via the avatar concept to illustrate how Indian symbolism organically integrates disparate religious figures into a single incarnational framework.
Jung, Carl Gustav, Aion: Researches into the Phenomenology of the Self, 1951supporting
Zimmer was passionately interested in the latest and best incarnation of this type in the phenomenal personage of Shri Ramana. He saw in this yogi the true avatar of the figure of the rishi, seer and philosopher.
Jung, ventriloquizing Zimmer, applies avatar to a living holy man understood as the contemporary incarnation of an ancient archetypal figure, demonstrating the term's psychological extension beyond strict theology.
Jung, Carl Gustav, Psychology and Religion: West and East, 1958supporting
instead, he should have seen her as a symbol or an avatar that pointed him away from the world to God.
Armstrong deploys avatar in a broadly symbolic-mediatory sense to describe Beatrice's function in Dante's Commedia, indicating the term's capacity to denote any figure that incarnates a transcendent reference.
Armstrong, Karen, A History of God, 1993supporting
In virtual life, gamers are never isolated. They interact with other characters (or 'avatars') generated by a computer program and with characters that are controlled by other gamers.
Alexander invokes the digital avatar as a symptom of dislocation, noting how virtual self-representations mediate social interaction for psychosocially fragmented individuals in an addictive digital environment.
Alexander, Bruce K., The Globalisation of Addiction: A Study in Poverty of the Spirit, 2008supporting
Campbell's index entry confirms avatar as a recognized mythological category within his comparative mythology framework, though without extended analysis in this passage.
Campbell, Joseph, The Inner Reaches of Outer Space: Metaphor as Myth and as Religion, 1986aside
The Aion index entry for 'avatar' signals its presence as a catalogued concept in Jung's comparative religious lexicon without elaborating its psychological function in this passage.
Jung, Carl Gustav, Aion: Researches into the Phenomenology of the Self, 1951aside