The concordance 11 witnesses

Ass

Orientation

A donkey enters the church during the medieval Feast of Fools and the whole congregation brays back at it. Jung, in The Archetypes and the Collective Unconscious, treats the festum asinorum as proof that the trickster spirit survives inside Christian liturgy itself, erupting through the very rite meant to contain it. That same animal carries a darker charge in Symbols of Transformation, where Jung reads the Palatine graffito of a crucified, ass-headed Christ alongside Balaam’s speaking ass: one image mocks the god, the other has the beast perceiving, ahead of any human witness, what the road ahead conceals. Paul Radin locates the ass festival at exactly this fault line between sacred and profane, and names Nietzsche’s Ass Festival in Zarathustra its deliberate, blasphemous heir, the creature’s endless “Ye-a” a parody of servile faith. Jung returns to the ass twice more with opposite emphases: in his Zarathustra seminar it figures the instinctual body that morality starves rather than kills, while in Alchemical Studies, glossing Apuleius, animal transformation becomes the low point from which Isis redeems the hero. Edinger finds the same humility triumphant, riding into Jerusalem.

In the library

they were all kneeling like children and credulous old women, and worshipping the ass… He bears our burden, he has taken upon himself the likeness of a slave, he is patient from the heart and he never says Nay

Nietzsche’s ‘Ass Festival’ presents the ass as an ironic deity of passive affirmation, whose braying ‘Ye-a’ parodies Christian submission and exposes the slavish dimensions of religious devotion.

Nietzsche, Friedrich, Thus Spoke Zarathustra, 1883thesis

Dig deeper with Sebastian →

the danger of theriomorphism lay uncomfortably close… The suspicion of blasphemy becomes quite open in Nietzsche’s ‘Ass Festival’, which is a deliberately blasphemous parody of the mass.

Radin identifies the ass festival tradition as a site where theriomorphic symbolism threatened to collapse the boundary between sacred and profane, culminating in Nietzsche’s explicit blasphemous inversion.

Radin, Paul, The Trickster: A Study in American Indian Mythology, 1956thesis

Dig deeper with Sebastian →

the festum asinorum… the ass procession went right into the church. At the conclusion of each part of the high mass that followed, the whole congregation brayed, that is, they all went ‘Y-a’ like a donkey

Jung reads the festum asinorum as a survival of the trickster spirit within Christian ceremonial, where the ass’s irruption into sacred liturgy enacts the return of archaic, instinctual religious energies.

Jung, Carl Gustav, The Archetypes and the Collective Unconscious, 1959thesis

Dig deeper with Sebastian →

The mock crucifixion on the Palatine shows the Crucified with an ass’s head, which may perhaps be a reference to the old legend that the image of an ass was worshipped in the temple at Jerusalem. Balaam’s ass human speech

Jung traces the ass’s mythological range from the Palatine graffito’s theriomorphic Christ to Balaam’s speaking ass, establishing the animal as a carrier of both profane mockery and genuine prophetic communication.

Jung, Carl Gustav, Symbols of Transformation, 1952thesis

Dig deeper with Sebastian →

It frequently happens that animals talk, and it means precisely what the talking ape is, the intelligent manifestation of the unconscious appearing in the animal… The same is true of the ass. Balaam’s ass is a good example.

Jung interprets the speaking ass of Balaam as an archetypal manifestation of the unconscious, whose superior perceptual capacity—especially regarding death and the future—the ego routinely underestimates.

Jung, C.G., Dream Interpretation Ancient and Modern: Notes from the Seminar Given in 1936-1941, 2014thesis

Dig deeper with Sebastian →

In the Golden Ass of Apuleius the process of redemption begins at the moment when the hero, who has been changed into an ass because of his dissolute life, succeeds in snatching a bunch of roses from the hand of the priest of Isis

Jung reads Apuleius’s ass-transformation as an alchemical-initiatory allegory in which animality is the necessary nadir from which redemption through the feminine divine principle becomes possible.

Jung, Carl Gustav, Alchemical Studies, 1967supporting

Dig deeper with Sebastian →

What about the ass in the stable? It is no real way to leave the stable door open… if we don’t acknowledge it, then with an increasing amount of morality, of consciousness, we find very efficient means of locking the stable door, and then the ass dies

Jung uses the ass as a metaphor for the instinctual-bodily dimension of the psyche, arguing that moral repression does not extinguish but rather starves this dimension, with grave psychological consequences.

Jung, C.G., Nietzsche’s Zarathustra: Notes of the Seminar Given in 1934-1939, 1988supporting

Dig deeper with Sebastian →

Regarding the three-legged ass, they say that it stands amid the wide-formed ocean, and its feet are three, eyes six, mouths nine, ears two, and horn one, body white, food spiritual, and it is righteous.

The Bundahish’s cosmic three-legged ass, cited by Jung in his alchemical studies, extends the symbol into Iranian cosmology, where the animal bears attributes of spiritual purity and sacred righteousness.

Jung, Carl Gustav, Psychology and Alchemy, 1944supporting

Dig deeper with Sebastian →

we call a person a goose, a cow, a hen, a snake, an ox, or an ass. These uncomplimentary epithets are familiar

Jung notes in passing that projection of unconscious contents onto others frequently takes the form of animal epithets including ‘ass,’ illustrating how theriomorphic language betrays the mechanism of projection.

Jung, Carl Gustav, Civilization in Transition, 1964aside

Dig deeper with Sebastian →