The Archetypal Method designates the procedural and attitudinal dimension of archetypal psychology — the question of how, not merely what, depth-psychological inquiry should pursue. Across the corpus, the term registers at least three distinct registers of meaning that exist in productive tension. In James Hillman’s hands, the Archetypal Method is emphatically not a technique or algorithm but a mercurial, Hermes-governed attitude: a ‘consistently psychological attitude’ that remains aesthetic, metaphorical, and polytheistic in its refusal to fix images into predefined categories. This stands in sharp contrast to Jung’s own more empirical formulation, in which the method proceeds through isolating typical symbols across series of dreams, then verifying them through comparative mythology and ethnology — a procedure closer to natural-scientific demonstration. Shaun McNiff’s reading distils Hillman’s position most crisply: the method is ‘fundamentally aesthetic, and its precision’ is of a different order than theoretical abstraction. Robert Romanyshyn extends the methodological question into research epistemology via the ‘alchemical hermeneutic method,’ insisting that method is not merely what a researcher does but who the researcher is in the work. Richard Tarnas inflects the method astrologically, treating archetypal categories as empirical hermeneutic tools applied to vast bodies of historical correlation. The central tension — between aesthetic-imaginal responsiveness and systematic-comparative proof — runs through every major statement on this term.