The ‘Repressed Feminine’ stands as one of the most clinically urgent and culturally diagnostic concepts in the post-Jungian corpus. Marion Woodman, whose 1980 study *The Owl Was a Baker’s Daughter* effectively named the term for the field, treats it as the psychosomatic and spiritual root of eating disorders: when the feminine principle—instinct, embodied feeling, cyclical nature—is denied legitimacy by a patriarchal value system, it does not disappear but returns through somatic distortion, compulsive behavior, and archetypal possession. The body becomes the site where the repressed exacts its tribute. Woodman’s subsequent work, particularly *Addiction to Perfection* (1982) and *Conscious Femininity* (1993), extends this diagnosis to addiction and the culture at large, arguing that both men and women suffer when the feminine soul remains, in her phrase, ‘in a repressed and abandoned state.’ Von Franz approaches cognate territory through fairy tale: civilizations that lose contact with ‘the irrational, feminine element’ compensate through Dummling figures who must trust the repressed frog-bride. Andrew Samuels, in his post-Jungian critical survey, acknowledges the diagnostic power of these writers while questioning whether the resulting concept of an ‘innately feminine’ risks idealization. The tension between Woodman’s somatic-archetypal register and Samuels’s structural caution defines the term’s contested status in contemporary depth psychology.