Seba.Health

The Iliad 5.382–415

Dione to Aphrodite · divine
The Iliad 5.382–415
So suffered Ares, when Otus and mighty Ephialtes, the sons of Aloeus, bound him in cruel bonds, and in a brazen jar he lay bound for thirteen months; and then would Ares, insatiate of war, have perished, had not the stepmother of the sons of Aloeus, the beauteous Eëriboea, brought tidings unto Hermes; and he stole forth Ares, that was now sore distressed, for his grievous bonds were overpowering him. So suffered Hera, when the mighty son of Amphitryon smote her on the right breast with a three-barbed arrow; then upon her too came pain that might in no wise be assuaged. And so suffered monstrous Hades even as the rest a bitter arrow, when this same man, the son of Zeus that beareth the aegis, smote him in Pylos amid the dead, and gave him over to pains. But he went to the house of Zeus and to high Olympus with grief at heart, pierced through with pains; for into his mighty shoulder had the shaft been driven, and distressed his soul. But Paeëon spread thereon simples that slay pain, and healed him; for verily he was in no wise of mortal mould. Rash man, worker of violence, that recked not of his evil deeds, seeing that with his arrows he vexed the gods that hold Olympus. And upon thee has the goddess, flashing-eyed Athene, set this man—fool that he is; for the heart of Tydeus' son knoweth not this, that verily he endureth not for long who fighteth with the immortals, nor do his children prattle about his knees when he is come back from war and the dread conflict. Wherefore now let Tydeus' son, for all he is so mighty, beware lest one better than thou fight against him, lest in sooth Aegialeia, the daughter of Adrastus, passing wise, wake from sleep with her long lamentings all her household, as she wails for her wedded husband, the best man of the Achaeans, even she, the stately wife of horse-taming Diomedes.
τέτλαθι τέκνον ἐμόν, καὶ ἀνάσχεο κηδομένη περ· πολλοὶ γὰρ δὴ τλῆμεν Ὀλύμπια δώματʼ ἔχοντες ἐξ ἀνδρῶν χαλέπʼ ἄλγεʼ ἐπʼ ἀλλήλοισι τιθέντες. τλῆ μὲν Ἄρης ὅτε μιν Ὦτος κρατερός τʼ Ἐφιάλτης παῖδες Ἀλωῆος, δῆσαν κρατερῷ ἐνὶ δεσμῷ· χαλκέῳ δʼ ἐν κεράμῳ δέδετο τρισκαίδεκα μῆνας· καί νύ κεν ἔνθʼ ἀπόλοιτο Ἄρης ἆτος πολέμοιο, εἰ μὴ μητρυιὴ περικαλλὴς Ἠερίβοια Ἑρμέᾳ ἐξήγγειλεν· δʼ ἐξέκλεψεν Ἄρηα ἤδη τειρόμενον, χαλεπὸς δέ δεσμὸς ἐδάμνα. τλῆ δʼ Ἥρη, ὅτε μιν κρατερὸς πάϊς Ἀμφιτρύωνος δεξιτερὸν κατὰ μαζὸν ὀϊστῷ τριγλώχινι βεβλήκει· τότε καί μιν ἀνήκεστον λάβεν ἄλγος. τλῆ δʼ Ἀΐδης ἐν τοῖσι πελώριος ὠκὺν ὀϊστόν, εὖτέ μιν ωὐτὸς ἀνὴρ υἱὸς Διὸς αἰγιόχοιο ἐν Πύλῳ ἐν νεκύεσσι βαλὼν ὀδύνῃσιν ἔδωκεν· αὐτὰρ βῆ πρὸς δῶμα Διὸς καὶ μακρὸν Ὄλυμπον κῆρ ἀχέων ὀδύνῃσι πεπαρμένος· αὐτὰρ ὀϊστὸς ὤμῳ ἔνι στιβαρῷ ἠλήλατο, κῆδε δὲ θυμόν. τῷ δʼ ἐπὶ Παιήων ὀδυνήφατα φάρμακα πάσσων ἠκέσατʼ· οὐ μὲν γάρ τι καταθνητός γε τέτυκτο. σχέτλιος ὀβριμοεργὸς ὃς οὐκ ὄθετʼ αἴσυλα ῥέζων, ὃς τόξοισιν ἔκηδε θεοὺς οἳ Ὄλυμπον ἔχουσι. σοὶ δʼ ἐπὶ τοῦτον ἀνῆκε θεὰ γλαυκῶπις Ἀθήνη· νήπιος, οὐδὲ τὸ οἶδε κατὰ φρένα Τυδέος υἱὸς ὅττι μάλʼ οὐ δηναιὸς ὃς ἀθανάτοισι μάχηται, οὐδέ τί μιν παῖδες ποτὶ γούνασι παππάζουσιν ἐλθόντʼ ἐκ πολέμοιο καὶ αἰνῆς δηϊοτῆτος. τὼ νῦν Τυδεΐδης, εἰ καὶ μάλα καρτερός ἐστι, φραζέσθω μή τίς οἱ ἀμείνων σεῖο μάχηται, μὴ δὴν Αἰγιάλεια περίφρων Ἀδρηστίνη ἐξ ὕπνου γοόωσα φίλους οἰκῆας ἐγείρῃ κουρίδιον ποθέουσα πόσιν τὸν ἄριστον Ἀχαιῶν ἰφθίμη ἄλοχος Διομήδεος ἱπποδάμοιο.
Lattimore commentary
There is a slightly comic tinge to Dione’s catalogue, since immortals will only be discomforted, not die. The gigantic sons of Aloeus are more famous for their attempt to pile Mount Pelion onto Mount Ossa to reach the sky and dislodge the gods. The son of Amphitryon is Herakles; the two woundings attributed to him are otherwise unattested. Pylos (397) could refer to the home of Nestor (which Herakles attacked: see 11.689), for which Hades may have been acting as protector. Related to pylê, “gate,” the city seems to have been known as an entrance to the underworld. Paiëon is in book 5 (and at Od. 4.232) a separate, minor divinity of healing. (The name is old, attested as pajawone on Linear B tablets from Knossos.) The name in Classical Greek becomes a title for Apollo; already in epic (1.473, e. g.) as a common noun, it denotes a song of thanksgiving (for healing?) dedicated to Apollo—the “paean.”
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