The Iliad 22.460–474

So saying she hasted through the hall with throbbing heart as one beside herself, and with her went her handmaidens. But when she was come to the wall and the throng of men, then on the wall she stopped and looked, and was ware of him as he was dragged before the city; and swift horses were dragging him ruthlessly toward the hollow ships of the Achaeans. Then down over her eyes came the darkness of night, and enfolded her, and she fell backward and gasped forth her spirit. Far from off her head she cast the bright attiring thereof, the frontlet and coif and kerchief and woven band, and the veil that golden Aphrodite had given her on the day when Hector of the flashing helm hed her as his bride forth from the house of Eetion, after he had brought bride-gifts past counting.

ὣς φαμένη μεγάροιο διέσσυτο μαινάδι ἴση παλλομένη κραδίην· ἅμα δʼ ἀμφίπολοι κίον αὐτῇ αὐτὰρ ἐπεὶ πύργόν τε καὶ ἀνδρῶν ἷξεν ὅμιλον ἔστη παπτήνασʼ ἐπὶ τείχεϊ, τὸν δὲ νόησεν ἑλκόμενον πρόσθεν πόλιος· ταχέες δέ μιν ἵπποι ἕλκον ἀκηδέστως κοίλας ἐπὶ νῆας Ἀχαιῶν. τὴν δὲ κατʼ ὀφθαλμῶν ἐρεβεννὴ νὺξ ἐκάλυψεν, ἤριπε δʼ ἐξοπίσω, ἀπὸ δὲ ψυχὴν ἐκάπυσσε. τῆλε δʼ ἀπὸ κρατὸς βάλε δέσματα σιγαλόεντα, ἄμπυκα κεκρύφαλόν τε ἰδὲ πλεκτὴν ἀναδέσμην κρήδεμνόν θʼ, ὅ ῥά οἱ δῶκε χρυσῆ Ἀφροδίτη ἤματι τῷ ὅτε μιν κορυθαίολος ἠγάγεθʼ Ἕκτωρ ἐκ δόμου Ἠετίωνος, ἐπεὶ πόρε μυρία ἕδνα. ἀμφὶ δέ μιν γαλόῳ τε καὶ εἰνατέρες ἅλις ἔσταν, αἵ ἑ μετὰ σφίσιν εἶχον ἀτυζομένην ἀπολέσθαι.

Lattimore commentary

“Like a raving woman” translates mainadi isê. In Greek mythical imagination “maenads” or “maddened ones,” enthused female followers of Dionysos, are associated with ecstatic dance and consumption of the god’s substance, wine, in outdoor settings. They also can exhibit murderous loss of control (as in the episode dramatized in the Bacchae of Euripides).

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