Seba.Health

The Iliad 18.588–602

The Iliad 18.588–602
Therein furthermore the famed god of the two strong arms cunningly wrought a dancing-floor like unto that which in wide Cnosus Daedalus fashioned of old for fair-tressed Ariadne. There were youths dancing and maidens of the price of many cattle, holding their hands upon the wrists one of the other. Of these the maidens were clad in fine linen, while the youths wore well-woven tunics faintly glistening with oil; and the maidens had fair chaplets, and the youths had daggers of gold hanging from silver baldrics. Now would they run round with cunning feet exceeding lightly, as when a potter sitteth by his wheel that is fitted between his hands and maketh trial of it whether it will run; and now again would they run in rows toward each other. And a great company stood around the lovely dance, taking joy therein;
ἐν καλῇ βήσσῃ μέγαν οἰῶν ἀργεννάων, σταθμούς τε κλισίας τε κατηρεφέας ἰδὲ σηκούς. ἐν δὲ χορὸν ποίκιλλε περικλυτὸς ἀμφιγυήεις, τῷ ἴκελον οἷόν ποτʼ ἐνὶ Κνωσῷ εὐρείῃ Δαίδαλος ἤσκησεν καλλιπλοκάμῳ Ἀριάδνῃ. ἔνθα μὲν ἠΐθεοι καὶ παρθένοι ἀλφεσίβοιαι ὀρχεῦντʼ ἀλλήλων ἐπὶ καρπῷ χεῖρας ἔχοντες. τῶν δʼ αἳ μὲν λεπτὰς ὀθόνας ἔχον, οἳ δὲ χιτῶνας εἵατʼ ἐϋννήτους, ἦκα στίλβοντας ἐλαίῳ· καί ῥʼ αἳ μὲν καλὰς στεφάνας ἔχον, οἳ δὲ μαχαίρας εἶχον χρυσείας ἐξ ἀργυρέων τελαμώνων. οἳ δʼ ὁτὲ μὲν θρέξασκον ἐπισταμένοισι πόδεσσι ῥεῖα μάλʼ, ὡς ὅτε τις τροχὸν ἄρμενον ἐν παλάμῃσιν ἑζόμενος κεραμεὺς πειρήσεται, αἴ κε θέῃσιν· ἄλλοτε δʼ αὖ θρέξασκον ἐπὶ στίχας ἀλλήλοισι.
Lattimore commentary
Pastoral and agricultural scenes are capped by the dance, itself modeled on what the ultimate mythical artificer, Daidalos, made at Knossos in Crete (home of Minos and the labyrinth). The intricate and rapid motions of the dance are described by yet another craft image.
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