Seba.Health

The Iliad 15.104–112

Hera to Gods · divine
The Iliad 15.104–112
In sooth we are even yet fain to draw nigh unto him and thwart him of his will by word or by constraint, but he sitteth apart and recketh not, neither giveth heed thereto; for he deemeth that among the immortal gods he is manifestly supreme in might and strength. Wherefore content ye yourselves with whatsoever evil thing he sendeth upon each. Even now I deem that sorrow hath been wrought for Ares, seeing that his son, dearest of men to him, hath perished in battle, even Ascalaphus, whom mighty Ares declareth to be his own.
νήπιοι οἳ Ζηνὶ μενεαίνομεν ἀφρονέοντες· ἔτι μιν μέμαμεν καταπαυσέμεν ἆσσον ἰόντες ἔπει ἠὲ βίῃ· δʼ ἀφήμενος οὐκ ἀλεγίζει οὐδʼ ὄθεται· φησὶν γὰρ ἐν ἀθανάτοισι θεοῖσι κάρτεΐ τε σθένεΐ τε διακριδὸν εἶναι ἄριστος. τὼ ἔχεθʼ ὅττί κεν ὔμμι κακὸν πέμπῃσιν ἑκάστῳ. ἤδη γὰρ νῦν ἔλπομʼ Ἄρηΐ γε πῆμα τετύχθαι· υἱὸς γάρ οἱ ὄλωλε μάχῃ ἔνι φίλτατος ἀνδρῶν Ἀσκάλαφος, τόν φησιν ὃν ἔμμεναι ὄβριμος Ἄρης.
Lattimore commentary
Askalaphos was killed without Ares’ knowledge (13.518). The gesture of smacking the thighs with the palms portends imminent death (e. g., 16.125; and see S. Lowenstam, The Death of Patroklos: A Study in Typology Königstein/Ts., 1981). The death of a god’s son (cf. the similar scene of Sarpedon’s killing in book 16) shows how the fear of dissent on Olympos is what determines mortals’ fates.
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