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Marcel Detienne

Marcel Detienne

Marcel Detienne was jean-pierre-vernant‘s closest collaborator at the École des Hautes Études and, with Pierre Vidal-Naquet, a central figure in the Paris school of classical anthropology. Trained as a Hellenist and historian of Greek religion, he worked across forty years to recover the archaic Greek configurations that classical philosophy had reformulated or suppressed — the privileged speech of the poet, diviner, and king; the cunning intelligence of Odysseus and Hephaistos; the Orphic-Pythagorean cults at the margins of polis religion; the structural logic of spices, sacrifice, and the killed Dionysus.

Les Maîtres de vérité dans la grèce archaïque (1967; trans. 1996) is his canonical study of pre-philosophical aletheia-archaic — truth as the un-forgotten, the socially sanctioned speech of three religious functions, opposed not to falsehood but to Lēthē, oblivion. The book’s second load-bearing discovery is that the masters-of-truth are simultaneously masters of deception: Alētheia and apate are complementary rather than contradictory in mythic thought, and the poet, diviner, and king who hold the true word also hold its shadow. His collaborative Les Ruses de l’intelligence: La Mètis des Grecs (with jean-pierre-vernant, 1974) named metis as a specifically Greek form of practical, time-bound knowing — the intelligence of polymētis Odysseus, of Hephaistos, of hermes, of the trickster whose cunning the philosophical tradition displaced. Les Jardins d’Adonis (1972) and Dionysos mis à mort (1977) extended the structural method into the religion of spices, seduction, and the god who is killed.

Detienne attended closely to what he called the philosophicoreligious-sects — the Orphic-Pythagorean initiatory circles whose technique of salvation, a “recipe for sanctity” against the meadow of ate, inscribed the private memorial work of the soul before the philosophical interiorization took it up.

For the Lineage, Detienne is the philologist who most sharply articulates what the philosophical configuration of Greek thought had to displace. The Paris school’s structural method stands beside bruno-snell‘s Homeric philology, ruth-padel‘s work on the tragic self, gregory-nagy‘s Best-of-the-Achaeans, and richard-onians‘s Origins of European Thought as a distinct approach to the same recovery the Jungian tradition pursues in its own idiom.

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